“Try to describe what it's like to see,” one of the blind actors in Jana Ševčíková's documentary urges the film crew. The same challenge for him is to express how reality is perceived and experienced by a visually impaired person. Ševčíková therefore does not explain the blindness. Using everyday situations as examples, she empathetically and without pathos presents the stories of six people who never stop dreaming, yearning, and searching for ways to be as free in life as the sighted majority. They find sources of energy in work, sports, dance, and relationships. We are also transported into their world by the dimly lit black and white camera and the layered soundtrack.

A policeman doubles as a gunman to get in with the mob.

A politician (a brilliant powerfull mayor, well-liked from his fellow citizens, running for elections at Parliament) clashes with a graduate, disappointed and against the current dancer.

27岁的哈斯卡（Haska）是一位年轻的母亲，在萨拉热窝（Sarajevo）战争期间照顾着她9岁的儿子丹尼斯（Denis）。当她的丈夫埃尔维尔（Elvir）在前线牺牲后，她在他的口袋里发现了一张情书。她开始四处打听此事，但毫无头绪。她的精神状态低落，于是决定带着丹尼斯离开萨拉热窝。然而，痛苦和疑虑又促使她回到了萨拉热窝，最终见到了……

When the skeletons of four young women found buried in a forest north of Copenhagen pulled the ambitious and headstrong Deputy Superintendent Katrine Ries Jensen (Laura Bach) with the intellectual and humanly hostile legal psychiatrist Thomas Schaeffer (Jakob Cedergren) into a dangerous quest in the history of Denmark first serial killer. An offender who kills out of a pattern that is not readily explainable. Katrine and Thomas proves to be a strong, but mismatched couple whose approach and methods often differ from the conventional police investigation. Their search brings them close to the offender. So close to Katrine with his emotional and vengeful behavior unknowingly expose themselves to the offender and hence qualifies as the perfect next victim. For both Thomas and Katherine challenge will be to see the person behind the monster. For only when they understand the fantasies and traumas that operates the perpetrator, they are able to confront.

The movie takes place in the first years after the Bolshevik coup in Donbas. Bandits blow up the bridge that carries ore to the blast furnace, the director of the plant is seriously wounded. The workers unanimously elect Ivan Klyavin, a mining foreman, as acting director. In search of the missing train with bread Klyavin gets to Petrograd. Here the hero meets Lenin. Returning to the factory, Klyavin reads to the workers a letter from the leader of the party. Enemies kill Klyavin, but are no longer able to prevent the factory workers from successfully overcoming the devastation.

A deaf woman believes that the sun is the loudest element on Earth. Her journey unveils how deaf people “hear” – in their own imaginary world.

A Lisbon night is traversed by the intensity of René, a precarious young Brazilian who has anchored in town, immersed in personal and existential conflicts. Queer parties, love, rejection and loneliness move through her body, out of place between the two continents. Stephanie Ricci captures the experiences of a free soul on the run, of one who doesn’t know where, how and when, with vivid sequences and conversations that impregnate a magnificent city portrait.

When Mikhail Gorbachev rose to power in 1985, his reform policy sparked an independence movement in Estonia, Latvia and Lithuania. But as cries for help from the Baltic States were met with silence from the international community at large, two small nations – Iceland and Denmark – answered the call, motivated by the personal connections of their foreign ministers, Jón Baldvin Hannibalsson and Uffe Elleman Jensen.